REVIEWS OF MUSIC
Identifieur interne : 000344 ( Main/Exploration ); précédent : 000343; suivant : 000345REVIEWS OF MUSIC
Auteurs : Hugh BenhamSource :
- Music and Letters [ 0027-4224 ] ; 1995.
English descriptors
- Entity :
- pers : Ave Maria, Doe, Myra Russel, Paolo Emilio, Paul Doe, Robert Parsons, William Byrd.
- place : England, Italy, Salisbury, Venice.
- Teeft :
- Active composer, Anachronistic kind, Apocryphal book, Artistic enterprise, Available fact, Bone iesu, British library, Cadential pattern, Catholic allegiance, Cautious posithat, Challenge policy, Chamber music, Considerable respect, Content rewarding, Credo quod mercial, Credo quod redemptor meus vivit, Critical commentary, Dead show various departure, Dickinson advent, Dilettevoli madrigali, Diversi autori, Domine quis habitabit, Early english church music, Early english church music edition, Editorial natural, English music, English volume, Extension line, False relation, Family connection, Fewer anthology, Finnegans composer, First chord, First hyphen, First invocation, Forbiddingly dense block, Foreshadows element, Fragmentary survival, Full recognition, Full tone, General appearance, Giacomo vincenti, Good value, Holy ghost, Hugh benham, Hymn fashion, Imitative talus siciliane, Immediate vertical context, Introductory essay, Irritating phalese, Isbn 0not remark, Last chord, Latin music, Latin sacred music, Little guesswork, Liturgitional alternation, Madrigal anthology, Magnificat, Main thing, Manuscript source, Many cadential semitone, Mary queen myra russel, Mass mater christi, Middle year, Minor matter pezza, Misleading designation temporary, More appropriate, More difficult, More retrospective collection, Morte eterna, Motet, Musical context, Musical experience, Musical style, Musiche rinascimenhas, Notsome minor difficulty, Obvious candidate, Office tudor church music, Oppressed catholic minority, Original notecomposers, Other motet, Paolo emilio carain, Paolo emilio carapezza, Part texture, Paul century audience, Paul edition, Performbeing prefixed, Phenofrom other variant, Piano part, Piano right hand, Piano righthand chord, Plainsong, Present edition, Psalm motet, Publisher such, Quick glance, Rare correction, Rare tenacity, Recueils imprimes, Redemptor meus vivit, Ritual plainsong, Robert latin basis, Sacred music, Salisbury rite, Score suggestion, Second appearance, Semitone progression, Several verse, Similar technique, Sixteenth century, Small error, Song xxviii, Song xxxi, Song xxxv, Source style, Source variant, Stainer bell, Straightforward case, Substantial preface explorinclude, Such accidental, Such collection, Thematic material, Thomas east, Treble part, Unique text, Unpublished work, Up voice, Useful addition, Voci posti, Voice part, Votive antiphon, Votive piece, William byrd, Xxxvi assurance.
Url:
DOI: 10.1093/ml/76.3.475
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>Doe</term>
<term>Myra Russel</term>
<term>Paolo Emilio</term>
<term>Paul Doe</term>
<term>Robert Parsons</term>
<term>William Byrd</term>
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<keywords scheme="Entity" type="place" xml:lang="en"><term>England</term>
<term>Italy</term>
<term>Salisbury</term>
<term>Venice</term>
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<keywords scheme="Teeft" xml:lang="en"><term>Active composer</term>
<term>Anachronistic kind</term>
<term>Apocryphal book</term>
<term>Artistic enterprise</term>
<term>Available fact</term>
<term>Bone iesu</term>
<term>British library</term>
<term>Cadential pattern</term>
<term>Catholic allegiance</term>
<term>Cautious posithat</term>
<term>Challenge policy</term>
<term>Chamber music</term>
<term>Considerable respect</term>
<term>Content rewarding</term>
<term>Credo quod mercial</term>
<term>Credo quod redemptor meus vivit</term>
<term>Critical commentary</term>
<term>Dead show various departure</term>
<term>Dickinson advent</term>
<term>Dilettevoli madrigali</term>
<term>Diversi autori</term>
<term>Domine quis habitabit</term>
<term>Early english church music</term>
<term>Early english church music edition</term>
<term>Editorial natural</term>
<term>English music</term>
<term>English volume</term>
<term>Extension line</term>
<term>False relation</term>
<term>Family connection</term>
<term>Fewer anthology</term>
<term>Finnegans composer</term>
<term>First chord</term>
<term>First hyphen</term>
<term>First invocation</term>
<term>Forbiddingly dense block</term>
<term>Foreshadows element</term>
<term>Fragmentary survival</term>
<term>Full recognition</term>
<term>Full tone</term>
<term>General appearance</term>
<term>Giacomo vincenti</term>
<term>Good value</term>
<term>Holy ghost</term>
<term>Hugh benham</term>
<term>Hymn fashion</term>
<term>Imitative talus siciliane</term>
<term>Immediate vertical context</term>
<term>Introductory essay</term>
<term>Irritating phalese</term>
<term>Isbn 0not remark</term>
<term>Last chord</term>
<term>Latin music</term>
<term>Latin sacred music</term>
<term>Little guesswork</term>
<term>Liturgitional alternation</term>
<term>Madrigal anthology</term>
<term>Magnificat</term>
<term>Main thing</term>
<term>Manuscript source</term>
<term>Many cadential semitone</term>
<term>Mary queen myra russel</term>
<term>Mass mater christi</term>
<term>Middle year</term>
<term>Minor matter pezza</term>
<term>Misleading designation temporary</term>
<term>More appropriate</term>
<term>More difficult</term>
<term>More retrospective collection</term>
<term>Morte eterna</term>
<term>Motet</term>
<term>Musical context</term>
<term>Musical experience</term>
<term>Musical style</term>
<term>Musiche rinascimenhas</term>
<term>Notsome minor difficulty</term>
<term>Obvious candidate</term>
<term>Office tudor church music</term>
<term>Oppressed catholic minority</term>
<term>Original notecomposers</term>
<term>Other motet</term>
<term>Paolo emilio carain</term>
<term>Paolo emilio carapezza</term>
<term>Part texture</term>
<term>Paul century audience</term>
<term>Paul edition</term>
<term>Performbeing prefixed</term>
<term>Phenofrom other variant</term>
<term>Piano part</term>
<term>Piano right hand</term>
<term>Piano righthand chord</term>
<term>Plainsong</term>
<term>Present edition</term>
<term>Psalm motet</term>
<term>Publisher such</term>
<term>Quick glance</term>
<term>Rare correction</term>
<term>Rare tenacity</term>
<term>Recueils imprimes</term>
<term>Redemptor meus vivit</term>
<term>Ritual plainsong</term>
<term>Robert latin basis</term>
<term>Sacred music</term>
<term>Salisbury rite</term>
<term>Score suggestion</term>
<term>Second appearance</term>
<term>Semitone progression</term>
<term>Several verse</term>
<term>Similar technique</term>
<term>Sixteenth century</term>
<term>Small error</term>
<term>Song xxviii</term>
<term>Song xxxi</term>
<term>Song xxxv</term>
<term>Source style</term>
<term>Source variant</term>
<term>Stainer bell</term>
<term>Straightforward case</term>
<term>Substantial preface explorinclude</term>
<term>Such accidental</term>
<term>Such collection</term>
<term>Thematic material</term>
<term>Thomas east</term>
<term>Treble part</term>
<term>Unique text</term>
<term>Unpublished work</term>
<term>Up voice</term>
<term>Useful addition</term>
<term>Voci posti</term>
<term>Voice part</term>
<term>Votive antiphon</term>
<term>Votive piece</term>
<term>William byrd</term>
<term>Xxxvi assurance</term>
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